I had a great time participating in the Modern Chants concert, organized by composer and violinist Ruta Vitkauskaite. I wrote two pieces, in collaboration with poet Dawn Wood, Gannetry, for Jo Nicholson (clarinet) and Ellie Cherry (live electronics), and Machair Flowers, for violist Katherine Wren. These are my most graphically notated score to date, and I really enjoyed the process. Gannetry uses graphic notation to convey specific gestural, timbral, textural & structural information about the piece — that is, there is a particular way I wanted the piece to sound, and the graphics were the best way to notate this — while Machair Flowers uses graphic notation to suggest kinds of sounds & networks, but the overall realization is very open. If you are interested in exploring either of these pieces, feel free to get in touch. I’d be happy to make a version for instrument/voice/ensemble. You can hear both these pieces, as well as great pieces by Ruta Vitkauskaite and Gemma McGregor and more poetry by Dawn Wood right here. (Machair Flowers starts at 51’21”, and Gannetry starts at 1h17’20”).
